The Ancient Mandingo Script — As Told by the elders of the 16 Tribes®

Mansa Musa, King of Mali, holding a sceptre and a piece of gold as represented in the Catalan Atlas, by the Jewish illustrator Cresques Abraham, 1375.

In the beginning, when the cosmos sang its first fire and the rivers bore the voice of the ancestors, the Manding people were given a script — a sacred design of signs and breath. This script, Komo Kafuya (᚛Kòmò Káfùyá᚜ in Mandingo), was not merely for trade or governance, but a channel to preserve the ancestral covenant. It is whispered that Masaba, the First Black Smith, hammered not only iron into form but also words into eternal shape.

For in Mandingo, the word kàbá means “to enclose, to shape, to form.” Just as the iron bellows shape fire into weapon, the script shapes breath into memory. The Ancestors tell us:

“Masaba dá kán tɛ̀ — Masaba has given us the script to bind time and the spirit.”

The ancient Manding script was more than symbol. It was rhythm, vibration, and geometry. Its forms mirrored the cosmos — the circle of life, the spiral of destiny, the crossing lines of earth and sky. In Mandingo tongue, the sign sòro (speech) and (to make) fused into the living act of inscription: sòro ké — the making of speech.

As the ways of the ancestors are not the work of chance nor accident. It was covenantal technology, where iron, fire, and word became one. The Mandingo script was carried across rivers, inscribed on wood, stone, and even the skin of drums. With every mark, the presence of Masaba resounded.

“Kɔrɔfɔ Masaba, kɛ̀nɛ mùgà — The ancient Masaba, healer of metal, guardian of fire.”

In West Africa, scripts were guardians of identity. The Mandingo script, older than foreign alphabets imposed upon the people, bore testimony to the originality of African thought. It stood against silence, declaring: Nye sòro tè kùmà — My voice shall not be erased.

The geometry of the Mandingo signs — verticals, horizontals, and sacred diagonals — reflected cosmic order. Just as the iron staff of the blacksmith stands upright in ritual ground, so too did each glyph anchor itself in the soil of being.

The script was not forgotten, even when chains dragged sons and daughters across the waters. For within memory, within song, and within the forge, the spirit of the script endured. It whispered to griots, it echoed in initiation groves, it burned in the hands of blacksmiths who, invoking Masaba, never ceased to strike the rhythm of freedom.

Thus I proclaim:

“Mandingo kafuya bɛ sèbɛ — The Mandingo script is sacred.”

“Masaba sòro tè lù — Masaba’s word never dies.”

The revival of this script today is not simply academic. It is spiritual restitution. To study it is to re-enter covenant with Masaba, to strike once more the anvil of memory. It is to remember that Africa was literate before invaders, that Africa’s word is older than conquest.

I close with the sacred Mandingo blessing:

“Kɔfɛ̀ Masaba, sòro tè fɔ — Honor to Masaba, whose word is eternal.”

Kamite New Year, Celebrated in Summer, Marks Year 6262, Not 2025



On Saturday, several African communities came together to honor the Kamite New Year, a symbol of cultural resilience.

“This calendar recalls the antiquity of our civilizations,” explained Bayala Lianhoué Imhotep, a pan-African activist.

Celebrated in countries like Burkina Faso, Mali, and Congo, the event embodies a reconnection with African roots. The term “Kamite” is derived from Kemet, the Ancient Egyptian word for “black earth,” which Afrocentrists have adopted.

Blood Ink on Parchment: The Decrees That Built The Trans Atlantic Slave Trade


The transatlantic slave trade did not begin with a whisper, but with the scratch of a quill—signed in gold-leaf arrogance, sealed in blood, and delivered on waves of stolen breath. The architects of this horror were not mere men, but crowns and mitres, their words etched into ledgers of suffering. Let us unroll their scrolls.

1. The Papal Knife (1452–1455)

Nicholas V

Before the ships, there was the word. And the word came from Rome.

  • Dum Diversas (1452)—Nicholas V’s dagger of ink, granting Afonso of Portugal the “right” to invade, pillage, and enslave “Saracens, pagans, and other enemies of Christ.”
  • Romanus Pontifex (1455)—A second stroke, carving Africa into a corpse for Europe to feast upon. The Vatican’s blessing turned men into cargo.

These were not decrees. They were warrants for genocide.

2. The Spanish Contract (1518)

Cover of the English translation of the Asiento contract signed by Britain and Spain in 1713 as part of the Utrecht treaty that ended the War of Spanish Succession. The contract granted exclusive rights to Britain to sell slaves in the Spanish Indies.

Charles I of Spain, trembling with colonial greed, dipped his pen and signed the asiento into being. The decree was simple:

  • “Fill the mines. Feed the plantations. Let the Indies drown in forced labor.”
  • By 1526, the first slave ships groaned under the weight of chained bodies, their names replaced with numbers.

The ink was dry before the screams began.

3. The Royal African Company’s Charter (1663–1672)

England entered the trade like a thief in a cathedral—quiet at first, then brazen.

  • Charles II, the “Merry Monarch,” gifted his cousins a monopoly on human flesh.
  • The Royal African Company’s crest bore an elephant and castle, but its true emblem was the branding iron.

Their ships left London heavy with guns, returned heavy with souls. Profit was measured in bones.

4. The Dutch Calculus (1621)

The West India Company was no mere enterprise—it was a syndicate of death.

  • Their ledgers listed men as “pieces”, women as “units”, children as “fractional cargo.”
  • The Stadtholders of Amsterdam grew fat on sugar and sorrow.

The Architecture of Suffering

These documents were not laws. They were spells—incantations that transmuted flesh into currency. Every signature was a shackle. Every seal, a tombstone.

And yet—the enslaved resisted. They whispered their own decrees in the dark:

  • On the ships, they hummed dirges that became freedom songs.
  • In the fields, they plotted revolts with hoes as weapons.
  • In their hearts, they preserved names the ledgers could not burn.

The trade began with paper, but it ended with fire.

https://youtube.com/Eiwb67-TMd0?si=G8E1wAWea_AVrKP3

Was the first president of the United States a Liberian man? ‘President’ John Hanson? Yes or No?

There are a lot of myths that we’ve been burdened with in the name of history: Washington cutting down cherry trees, Lincoln freeing the slaves, savage Indians, happy slaves, just to name a few. Many of these lies are propagated by movies and television, but many of these deliberate falsehoods have been found in the history textbooks of our own children’s schools. One White professor named James Loewen studied the twelve leading high-school American history textbooks and concluded that they were “marred by an embarrassing combination of blind patriotism, mindless optimism, sheer misinformation, and outright lies.” He found so much deception, fabrications, and falsehoods that he wrote a fat 400-page book titled, Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong.

In our sincere desire to inspire the Black Man and Woman, we sometimes latch onto those enticing tidbits of historical folklore that seem to show us in our original greatness. The story of John Hanson is one of those legends that have permeated our Black consciousness, and it is easy to see why. Many have claimed that Hanson was the first president of the United States–not George Washington–and, they say, he was a Black man! Could it be that the Founding Fathers of America had to rely on a Black man to lead them out of the darkness of a European monarchy? And what Black person wants to claim the role or position of George Washington–a Virginia-born Caucasian who enslaved at least 500 African people, and murdered untold numbers of Indians–whereby he presided over slavery? The idea is indeed captivating, especially for a people who have always been told they were at the bottom of every socio-political and economic measure. The idea of a Black John Hanson–“first President of the United States”–has become a popular legend in the Black community, but is it true? Let’s take a closer look. The question arises around a merchant from Maryland named John Hanson who lived during the era of the American Revolutionary War (1775—1783), when the Europeans who first came over to colonize America took up arms to separate from Britain. Hanson became a leader at the 1780 Continental Congress held in Philadelphia, where representatives from all the colonies assembled to present a unified front to the European powers. They had not yet decided to become a nation, but they did want to form some organization to protect their interests. So they formed an organization, very much like NATO (North Atlantic Treaty Organization) of today, and they elected John Hanson to lead them. But the “United States” as an actual nation would not be formed until the U.S. Constitution was ratified in 1788–five years after Hanson’s death. That is when plantation owner George Washington became the new nation’s first president.

So Hanson was not Black; nor was he the first president of the United States–but how did so many people come to believe that Hanson was a Black man? The racial mislabeling of John Hanson seems to be a simple case of mistaken identity. Some have confused the colonial-era John Hanson with a politician from the African nation of Liberia who lived decades later in the mid-1800s. This Liberian John Hanson was notable for his involvement in the resettlement of former slaves in Africa. While this Liberian Hanson was indeed Black, he lived well after the Hanson of the Continental Congress.

But then there is the question of the portrait on the back of the $2 bill, where some say that John Hanson is depicted as a Black man. Well, the picture is an artist’s depiction of the scene at the signing of the Declaration of Independence in 1776 and shows several Caucasians in the room. One of those powder-wigged men depicted (the 12th from the left) appears darker than his colleagues, leading to speculation that it is their Black John Hanson.

But in reality, if there were Blacks in the room, they were slaves–not diplomats or politicians. In any event, the White John Hanson never signed the Declaration of Independence, so even if the engraver meant to depict a Black man (and he did not) it was someone other than Hanson.

Yet more confusion has been created by the existence of a photograph that clearly shows a man named John Hanson, and there is no doubt that he is a Black man. Our Liberian brother is the one in the photo, bespectacled, dignified, and of serious bearing. And there is one small technical issue that disqualifies him from being the first president: photography was invented around 1822, long after the 1783 death of the Caucasian Hanson and 23 years after George Washington took his last breath.

So we now must put to rest this worn-out urban legend, and those of us who have erroneously taught it must strive to find better and historically accurate ways to illustrate Black people’s leadership qualities. The Caucasian John Hanson was an avowed enemy of Black and Indian freedom, justice, and equality. And we should be careful not to insert a Black man into leadership over one of the bloodiest chapters in the history of our people. Our Black heroes fought mightily, valiantly, and too often futilely against everything that John Hanson stood for–good White supremacist that he was. Slave rebellion leaders Nat Turner, Denmark Vesey, Gabriel Prosser all qualify as true freedom fighters worthy of our abiding honor and respect. And today there is no one more deserving of the title “hero” than The Honorable Minister Louis Farrakhan. And though they don’t provide comfortable thoughts and memories for White people, soon they will be seen as our true Founding Fathers. Let the White John Hanson remain White. He would have wanted it that way.

But that doesn’t mean that the White criminals that flooded into America, having been expelled from the jails and dungeons of Europe, knew how to set up a government on their own. They still needed the Original Man for that–just not John Hanson. Upon his arrival, the White man found a welcoming and friendly people, members of a well-ordered agrarian society with a solid political, social, and spiritual structure and strong alliances with other Indian communities. Whites sailed the coast and couldn’t believe the great expanses of cultivated land expertly planted with corn, peppers, strawberries, beans, squashes, artichokes, grapes, and tobacco, with warehouses for their longterm storage.

They found no jails, no forts, no starvation, no native diseases that were not treatable or even curable by the medical experts among the Indians. In short, European Whites found a natural harmony between the people and their land and, despite what Hollywood has promoted for years, an amicable co-existence with Indians from all other regions–a sharp contrast to the feudal self-oppression, chaos, war, death, destruction, and disease that characterized the 17th-century Europe that the Pilgrims fled. The Italian explorer Giovanni da Verazzano called the Indians “the most beautiful people and the most civilized in customs.” The famed Puritan Capt. John Smith called their land “a most excellent place for health and fertility.” It is, he said, “paradise.”

The Iroquois Nation lived by a pact they called the Great Law of Peace, which was in force throughout the entire Atlantic northeastern region. Under their government women held a position of high respect and authority, and they made no distinctions on the basis of race. But just as in Africa, Whites like Benjamin Franklin were sent to study the indigenous communities they called “savages.” And when they came up with the design for the American Constitution, it had many of the same themes that were in the Iroquois Pact. Many scholars say there are so many similarities that it can be said (without hyperbole) that Whites actually lifted the principles, ideas and themes from the Pact and called them the United States Constitution. The Iroquois Grand Council had fifty members (forty-nine living sachems and one seat perpetually reserved for the Peacemaker), while Benjamin Franklin’s plan had forty-eight. This is very much like the Congress we know in Washington today–except, of course, for the Peacemaker. Franklin was so impressed with the Indian government that he actually wrote a letter in 1751 encouraging the colonists to emulate the Iroquois model. (Franklin’s letter, anonymously published, was widely publicized.)

This is one of many actual historical facts that show the powerful role the Indian and the African had in forming the very core of the United States of America. In the future, learning about the role of the Black Man and Woman in creating governments will be a central part of our education system. The Honorable Minister Louis Farrakhan has declared that we are to be SEPARATED, to achieve our long overdue Freedom, Justice, and Equality. Let us start with our true history, separating it from the enemy’s myths, rumors, falsehoods and deceptions. Truth will guide us, and Allah will bless us!

Movie Review: Mac and Devin Go to High School (2012)


By: The Camarilla Mask™ Culture Blog

Let’s be clear from the jump—Mac and Devin Go to High School is not here to win Oscars. This 2012 stoner comedy starring hip-hop legends Snoop Dogg and Wiz Khalifa is a smoke-filled ride through the hallways of absurdity, with just enough plot to keep the jokes rolling and the music bumping. And honestly? That’s exactly what makes it cult classic material.

The premise is simple: Devin (Wiz Khalifa) is your classic overachiever, stressed out over college applications and his valedictorian speech. Mac (Snoop Dogg), meanwhile, is a 15th-year senior who treats high school more like a lounge than a launchpad. When these two worlds collide, you get an unlikely friendship, heavy clouds of wisdom (and weed), and a storyline that’s more vibes than structure.

From a cultural lens, Mac and Devin captures a unique moment in hip-hop history. 2012 was the peak of Wiz Khalifa’s “Taylor Gang” wave, and Snoop was entering his reggae “Lion” phase—but both were rooted in the weed-loving, laid-back ethos that gave the film its personality. The soundtrack, featuring the now-iconic “Young, Wild & Free,” does more emotional heavy-lifting than the plot ever attempts, carrying the film with its smooth production and sing-along hooks.

Yes, the humor is juvenile. Yes, there’s a talking joint animated in cartoon form (appropriately named “Slow Burn”). And yes, many of the scenes are one big excuse for smoke sessions, party montages, or corny one-liners. But beneath the surface haze, there’s a charm to this movie—a sincerity about friendship, being true to yourself, and learning to loosen up.

At its heart, Mac and Devin Go to High School is about balance. Mac teaches Devin how to live a little, and Devin—surprisingly—helps Mac see he’s capable of more than coasting. It’s a wild, weed-scented buddy comedy with flashes of real chemistry between its leads.

Final Thoughts:
For fans of hip-hop culture, stoner comedies, or just seeing two rap icons have a good time, Mac and Devin is worth the watch. It won’t change your life—but it might change your mood. And maybe that’s all it’s trying to do.

Camarilla Mask™ Rating: 3.5/5 Blunts
(It’s not deep, but it’s dope.)

Path of Growth and Strength for My Younger Wife

Here’s a affirmation in Bassa with a pronunciation guide and a list of the key words used from the camarilla mask™ lexicon.




Affirmation in Bassa:

“Gbo-ni-ɓà gã dúà, hwòɖo-̌kɔĩn-nyiǹiìǹ-nyiǹiìǹ xwa, hwòɖǒ dyiíǹ kpaù́n, Kãá-ɓòɖò-dyùà miɔ̀ùn dyi, ɓiɖ́í-gbǒ ɖɛ-mu kpaù́n.”




Pronunciation Guide:

Gbo-ni-ɓà (gboh-nee-bah) → younger wife, concubine

gã dúà (gan doo-ah) → grow strong

hwòɖo-̌kɔĩn-nyiǹiìǹ-nyiǹiìǹ xwa (hwoh-do-koh-een nyee-neen nyee-neen shwah) → her bad habits decrease

hwòɖǒ dyiíǹ kpaù́n (hwoh-do dyeen kpown) → her self-awareness increase

Kãá-ɓòɖò-dyùà miɔ̀ùn dyi (kaa-boh-doh-dyoo-ah mee-own dyee) → may she be guided by the Camarilla Mask way

ɓiɖ́í-gbǒ ɖɛ-mu kpaù́n (bee-dee-gboh deh-moo kpown) → may a solution to her housing be found





Lexicon Word List:

1. Gbo-ni-ɓà – younger wife, concubine


2. Gã – strong


3. Dúà – grow


4. Hwòɖo-̌kɔĩn-nyiǹiìǹ-nyiǹiìǹ – bad habits, wickedness


5. Xwa – decrease


6. Hwòɖǒ dyiíǹ kpaù́n – self-awareness (heart + fullness)


7. Kãá-ɓòɖò-dyùà – Camarilla Mask way (kingdom path)


8. Miɔ̀ùn dyi – be guided


9. ɓiɖ́í-gbǒ – home


10. ɖɛ-mu kpaù́n – find a solution




NASA and the Occult Connection





NASA’s early history does have connections to individuals involved in occult practices:

1. Jack Parsons – A brilliant rocket scientist and co-founder of the Jet Propulsion Laboratory (JPL), Parsons was also deeply involved in Thelema, an occult philosophy founded by Aleister Crowley. He performed rituals seeking spiritual guidance for his scientific work, blending mysticism with rocketry.


2. Wernher von Braun – A former Nazi scientist brought to the U.S. through Operation Paperclip, he played a key role in NASA’s rocket programs. While there is no direct evidence of his involvement in the occult, he worked closely with Parsons and was influenced by the early rocketry community.


3. L. Ron Hubbard – Before founding Scientology, Hubbard was involved with Parsons in occult rituals, attempting to invoke supernatural forces. His later religious movement combined elements of science fiction and esoteric knowledge.


4. Aleister Crowley – Although not directly connected to NASA, his Thelemic philosophy influenced Parsons, who saw himself as continuing Crowley’s magical work in a new scientific age.



This mix of technology, mysticism, and secret knowledge suggests that the origins of NASA were shaped not just by science but also by esoteric beliefs.

Ancient Egyptian (Kemetic) Cosmology and Modern Planetary Names

The idea that modern planetary bodies have connections to ancient deities is rooted in Kemetic (Egyptian) cosmology. The Neteru (gods) were personifications of cosmic forces, many of which align with celestial bodies:

Ra (Sun) – Later became the basis for solar worship in many cultures.

Djehuti (Thoth, Mercury) – God of wisdom, linked to the planet Mercury.

Heru (Horus, Mars) – Associated with war, much like the Roman god Mars.

Set (Chaos, Saturn) – Saturn’s association with destruction and time mirrors Set’s chaotic nature.

Aset (Isis, Venus) – The divine feminine, later syncretized with Venus.


These planetary associations continued through Greco-Roman traditions and persist in modern astronomy. The Western space program, consciously or unconsciously, continues this tradition by naming celestial bodies after deities, reinforcing an ancient mystical system under the guise of science.

Hollywood’s Role in Space Theatrics

Hollywood has played a massive role in shaping public perceptions of space exploration. Films and television shows blur the lines between reality and fantasy, reinforcing a quasi-religious belief in space travel. Examples include:

James Bond “Moonraker” (1979) – Showcased space colonization, secret elite projects, and the weaponization of space.

2001: A Space Odyssey (1968) – Heavily influenced by esoteric themes, exploring human evolution through extraterrestrial intervention.

Star Wars & Star Trek – Merging ancient mythologies with futuristic space travel.


NASA collaborates with Hollywood to maintain public interest and shape the collective imagination about space, possibly as part of a broader agenda to present space exploration as a new frontier of human salvation and transcendence.

Global Comparisons: Are Other Nations Doing the Same?

Other space programs also incorporate mythology and esoteric symbolism:

Russia (Roscosmos) – Deeply connected to cosmist philosophy, which blends space travel with spiritual transcendence.

China (CNSA) – Names lunar missions after ancient deities like Chang’e, the moon goddess.

India (ISRO) – Uses Hindu cosmology in its mission naming, such as Chandrayaan (Moon craft).


This suggests that space exploration is not purely a scientific endeavor but also a continuation of ancient mystical traditions under a modern, technological guise.

Conclusion: Is Space Science an Occult Religion?

While NASA presents itself as purely scientific, its roots in the occult, connections to esoteric figures, and reliance on symbolism indicate that space exploration may serve as a modern spiritual system. The blending of science, myth, and media creates a belief system where space is the ultimate frontier, replacing traditional religious cosmologies. Whether intentionally or not, this structure resembles an occult religion, where initiates (astronauts, scientists) seek hidden knowledge (space exploration) and the masses follow their revelations with faith.

Bassa Mask Proverb

Bounɓoɔ̀ mɔ̀ ḿ dyí-gmɔ̀-nyɔ̀ kà ɓáɖáá-dyí-gmɔ̀-nyɔ̀ gmɔ̀à ɓáɖáá dyíɛ.

Ɔ jèɛɛ, ḿ se ɖɛ ɖò kpéɖéɛ mu.

2Ɔ kpa ḿ, ɓɛ́ ḿ ké dyi pɛ̃́ ɖé pìǐ ɓɛ̀ɖɛ̀ɛ̀-ɓɛ̀ɖɛ̀ɛ̀ gbǎ ɓěɔ̀ mú.

Ɔ kpa ḿ ɓó zii-nì pɛ̀ɛ̀ ɓěɔ̀ gbìǐ.

3Ɔ po ní zùùɔ̀ kpéí ɖe.

Ɔ kpàìn ḿ ɖé hwìè sɛ́ɖɛ́ìn dyíɛɛ xwíníín, ɓó ɔ nyɛ́nɛ́ɔ̀ jè.

4Kɛbì ḿ mɛ nà ɖé gĩɔ tíe-kpòɛ̀ bɔɔ̀ múɛɛ,

ḿ se fã̀à ɖò peɖeɛ́ mu,

sepóɛɖé Bounɓo, m̀ nì ɓó ḿ gbo.

Nì ɓáɖáá-dyí-gmɔ̀ìn-ɓà-cùɔ̀ kè nì kùì-kpàɔ̀, wa mɔ̀ ḿ dyí-gmɔ̀ìn-ɖɛ̀.

5M̀ naɓaà téɓèɖè ɖò ɓó ḿ bìì,

ɓó ní mú-nyɛ́-nyɔ̀ ɓěɔ̀ dyéɖé waí.

M̀ kpɔ̃ ní jè dyi dyììn ɖé ḿ cáná nɔ̀mɔ̀ nyɔ́ún dúún-po-po mú.

M̀ dyíìn ní kópòɔ̀, ké ɔ zĩ̀ìn dyi.

6Jǎà jɛ́ɛ́, nì kpeɖeɛ̀-dyíin-nɔ̀mɔ̀-nɔ̀mɔ̀ɔ̀ kè nì ɖɛ̀ɓɛ̀ǐn-ɖɛ̀ɓɛ̀ǐn se-sèìn-naín-kɔ̃̀ɔ̀ mu ɓó ḿ gbo nììn ɖé ní fɛ̀ɛ̀-wè séín mú.

Ké ní mu ɖé nì gbǒɔ̀ mú cĩ́ìn kánáá pū.

מִזְמ֥וֹר לְדָוִ֑ד
יְהוָ֥ה רֹ֝עִ֗י לֹ֣א אֶחְסָֽר׃
בִּנְא֣וֹת דֶּ֭שֶׁא יַרְבִּיצֵ֑נִי
עַל־מֵ֖י מְנֻח֣וֹת יְנַהֲלֵֽנִי׃
נַפְשִׁ֥י יְשׁוֹבֵ֑ב
יַֽנְחֵ֥נִי בְמַעְגְּלֵי־צֶ֝֗דֶק לְמַ֣עַן שְׁמֽוֹ׃
גַּ֤ם כִּֽי־אֵלֵ֨ךְ בְּגֵ֪יא צַלְמָ֡וֶת
לֹא־אִ֘ירָ֤א רָ֗ע כִּי־אַתָּ֥ה עִמָּדִ֑י
שִׁבְטְךָ֥ וּ֝מִשְׁעַנְתֶּ֗ךָ הֵ֣מָּה יְנַֽחֲמֻֽנִי׃
תַּעֲרֹ֬ךְ לְפָנַ֨י ׀ שֻׁלְחָ֗ן נֶ֥גֶד צֹרְרָ֑י
דִּשַּׁ֖נְתָּ בַשֶּׁ֥מֶן רֹ֝אשִׁ֗י כּוֹסִ֥י רְוָיָֽה׃
אַ֤ךְ ׀ ט֤וֹב וָחֶ֣סֶד יִ֭רְדְּפוּנִי כָּל־יְמֵ֣י חַיָּ֑י
וְשַׁבְתִּ֥י בְּבֵית־יְ֝הוָ֗ה לְאֹ֣רֶךְ יָמִֽים

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